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Phaidon/New Museum – Elizabeth Peyton: Live Forever, 2008 (Publication), image 1
Phaidon/New Museum – Elizabeth Peyton: Live Forever, 2008 (Publication), image 2
Phaidon/New Museum – Elizabeth Peyton: Live Forever, 2008 (Publication), image 3
Phaidon/New Museum – Elizabeth Peyton: Live Forever, 2008 (Publication), image 4
Phaidon/New Museum – Elizabeth Peyton: Live Forever, 2008 (Publication), image 5
Phaidon/New Museum – Elizabeth Peyton: Live Forever, 2008 (Publication), image 6
Phaidon/New Museum – Elizabeth Peyton: Live Forever, 2008 (Publication), image 7
Phaidon/New Museum – Elizabeth Peyton: Live Forever, 2008 (Publication), image 8
Phaidon/New Museum – Elizabeth Peyton: Live Forever, 2008 (Publication), image 9
Phaidon/New Museum – Elizabeth Peyton: Live Forever, 2008 (Publication), image 10

Peyton’s work draws on her fascination with the artists and musicians of post-war popular culture. In an initial meeting, Peyton made reference to a catalogue of David Hockney’s 1970 Whitechapel Gallery show: its dense layouts of text and monochrome images suggested the extensive notes found on the back of period record sleeves. This approach informed the construction and typography of ‘Live Forever’. A ‘scrapbook’ of rock stars and royalty preceded the formally presented watercolour portraits.

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