Gagosian's decision to display Moore's enormous outdoor sculpture inside their white-walled London space emphasised the contemporary relevance of the mid-century works. Similarly, the exhibition catalogue's large soft-back format and loose bookcloth jacket combine a period warmth with a contemporary structure. The catalogue text is set in Jan Tschichold's Gill Sans-influenced Uhertype Grotesk – a decision informed by the knowledge that the sculptures were cast in Germany.
Campaign Fedrigoni – Image library
Campaign Vitra – Vitra Classics
Campaign Kvadrat – Kittens
Campaign Frieze Art Fair – Fireworks
Campaign Kvadrat – Shapes
Campaign Shakespeare’s Globe Theatre – The Season of Regime Change
Exhibition Somerset House – Miles Aldridge: I Only Want You To Love Me
Exhibition Science Museum – Who am I?
Exhibition Art Institute of Chicago – GTF: Resourceful Design
Identity Fedrigoni – Paper Box
Identity Design Museum – Identity
Identity Frieze Art Fair – Identity
Identity Habitat – Identity
Packaging Royal Doulton – Olio
Packaging Herman Miller – Formwork
Product Graphic Thought Facility – MeBox
Publication Gagosian – Catalogues
Publication Fendi – The Fendi Set
Publication Richard Avedon Foundation – Avedon Advertising
Publication Dior – Dior Images: Paolo Roversi
Publication COS – Creating with Shapes
Publication Gagosian – Gagosian Quarterly
Publication Thames & Hudson – M to M of M/M (Paris)
Publication Bloomsbury – Heston Blumenthal at Home
Publication Gagosian – Crash: Homage to JG Ballard
Retail Vitra – VitraHaus
Wayfinding Hult International Business School – Wayfinding