Gagosian's decision to display Moore's enormous outdoor sculpture inside their white-walled London space emphasised the contemporary relevance of the mid-century works. Similarly, the exhibition catalogue's large soft-back format and loose bookcloth jacket combine a period warmth with a contemporary structure. The catalogue text is set in Jan Tschichold's Gill Sans-influenced Uhertype Grotesk – a decision informed by the knowledge that the sculptures were cast in Germany.
Campaign Fedrigoni – Image library
Campaign Vitra – Vitra Classics
Campaign Kvadrat – Kittens
Campaign Frieze Art Fair – Fireworks
Campaign Kvadrat – Shapes
Campaign Shakespeare’s Globe Theatre – The Season of Regime Change
Exhibition Somerset House – Cute
Exhibition Science Museum – Who am I?
Exhibition Art Institute of Chicago – GTF: Resourceful Design
Identity Fedrigoni – Paper Box
Identity Gagosian – Identity
Identity Design Museum – Identity
Identity Frieze Art Fair – Identity
Identity Habitat – Identity
Packaging Homer – Packaging & Identity
Packaging Herman Miller – Formwork
Product Tate/Perpetual Editions – Perpetual Postcard Calendar
Product Graphic Thought Facility – MeBox
Publication Andrea Caputo & Anniina Koivu – U-Joints
Publication Gagosian – Catalogues
Publication Fendi – The Fendi Set
Publication Penguin Books – Chatsworth, Arcadia, Now
Publication Richard Avedon Foundation – Avedon Advertising
Publication Dior – Dior Images: Paolo Roversi
Publication COS – Creating with Shapes
Publication Gagosian – Gagosian Quarterly
Publication Bloomsbury – Heston Blumenthal at Home
Publication Gagosian – Crash: Homage to JG Ballard
Retail Vitra – VitraHaus
Wayfinding Vitra – VitraHaus Signage
Wayfinding Hult International Business School – Wayfinding