Peyton’s work draws on her fascination with the artists and musicians of post-war popular culture. In an initial meeting, Peyton made reference to a catalogue of David Hockney’s 1970 Whitechapel Gallery show: its dense layouts of text and monochrome images suggested the extensive notes found on the back of period record sleeves. This approach informed the construction and typography of ‘Live Forever’. A ‘scrapbook’ of rock stars and royalty preceded the formally presented watercolour portraits.
Campaign Fedrigoni – Image library
Campaign Vitra – Vitra Classics
Campaign Kvadrat – Kittens
Campaign Frieze Art Fair – Fireworks
Campaign Kvadrat – Shapes
Campaign Shakespeare’s Globe Theatre – The Season of Regime Change
Exhibition Somerset House – Miles Aldridge: I Only Want You To Love Me
Exhibition Science Museum – Who am I?
Exhibition Art Institute of Chicago – GTF: Resourceful Design
Identity Fedrigoni – Paper Box
Identity Design Museum – Identity
Identity Frieze Art Fair – Identity
Identity Habitat – Identity
Packaging Royal Doulton – Olio
Packaging Herman Miller – Formwork
Product Graphic Thought Facility – MeBox
Publication Gagosian – Catalogues
Publication Fendi – The Fendi Set
Publication Richard Avedon Foundation – Avedon Advertising
Publication Dior – Dior Images: Paolo Roversi
Publication COS – Creating with Shapes
Publication Gagosian – Gagosian Quarterly
Publication Thames & Hudson – M to M of M/M (Paris)
Publication Bloomsbury – Heston Blumenthal at Home
Publication Gagosian – Crash: Homage to JG Ballard
Retail Vitra – VitraHaus
Wayfinding Hult International Business School – Wayfinding