Peyton’s work draws on her fascination with the artists and musicians of post-war popular culture. In an initial meeting, Peyton made reference to a catalogue of David Hockney’s 1970 Whitechapel Gallery show: its dense layouts of text and monochrome images suggested the extensive notes found on the back of period record sleeves. This approach informed the construction and typography of ‘Live Forever’. A ‘scrapbook’ of rock stars and royalty preceded the formally presented watercolour portraits.
Campaign Fedrigoni – Image library
Campaign Vitra – Vitra Classics
Campaign Kvadrat – Kittens
Campaign Frieze Art Fair – Fireworks
Campaign Kvadrat – Shapes
Campaign Shakespeare’s Globe Theatre – The Season of Regime Change
Exhibition Somerset House – Cute
Exhibition Science Museum – Who am I?
Exhibition Art Institute of Chicago – GTF: Resourceful Design
Identity Fedrigoni – Paper Box
Identity Gagosian – Identity
Identity Design Museum – Identity
Identity Frieze Art Fair – Identity
Identity Habitat – Identity
Packaging Homer – Homer
Packaging Herman Miller – Formwork
Product Tate/Perpetual Editions – Perpetual Postcard Calendar
Product Graphic Thought Facility – MeBox
Publication Andrea Caputo & Anniina Koivu – U-Joints
Publication Gagosian – Catalogues
Publication Fendi – The Fendi Set
Publication Penguin Books – Chatsworth, Aradia, Now
Publication Richard Avedon Foundation – Avedon Advertising
Publication Dior – Dior Images: Paolo Roversi
Publication COS – Creating with Shapes
Publication Gagosian – Gagosian Quarterly
Publication Bloomsbury – Heston Blumenthal at Home
Publication Gagosian – Crash: Homage to JG Ballard
Retail Vitra – VitraHaus
Wayfinding Vitra – VitraHaus Signage
Wayfinding Hult International Business School – Wayfinding