Peyton’s work draws on her fascination with the artists and musicians of post-war popular culture. In an initial meeting, Peyton made reference to a catalogue of David Hockney’s 1970 Whitechapel Gallery show: its dense layouts of text and monochrome images suggested the extensive notes found on the back of period record sleeves. This approach informed the construction and typography of ‘Live Forever’. A ‘scrapbook’ of rock stars and royalty preceded the formally presented watercolour portraits.
Campaign Frieze Art Fair – 2012 campaign
Campaign Kvadrat – Shapes
Campaign Shakespeare’s Globe Theatre – 2003 season
Exhibition Somerset House – Miles Aldridge: I Only Want You To Love Me
Exhibition Design Museum – Kenneth Grange
Exhibition Science Museum – Who am I? (2010)
Exhibition Art Institute of Chicago – GTF: Resourceful Design
Identity Pizza Express – Concept Restaurants
Identity Oki Nami – Identity (2008)
Identity Le Printemps de Septembre à Toulouse – Identity
Identity Design Museum – Identity
Identity Frieze Art Fair – Identity
Identity Habitat – Identity
Packaging Herman Miller – Formwork
Product Graphic Thought Facility – MeBox
Publication Dior/Rizzoli – Dior by Avedon
Publication Thames & Hudson – The art of typewriting
Publication Modern Design Review – Issues 1 and 2
Publication Gagosian – Catalogues
Publication Charming Baker – Lie Down I Think I Love You
Publication Thames & Hudson – M to M of M/M (Paris)
Publication Bloomsbury – Heston Blumenthal at Home
Publication Gagosian – Crash: Homage to JG Ballard
Retail Vitra – VitraHaus
Wayfinding Hult International Business School – Wayfinding